The Complete Vlogs

These vlogs chronicle the year-long evolution and process of creating the EYES project. You can either view the vlogs as a playlist or as separate videos. 

EYES Vlog Update 25 - Retrospective

EYES Pilot - The Finished Sound Design

I now have the finished sound design in my possession. Extra special thanks to my Sound Designer, Daniel Tapper, for all the hard work he put into this! 

I will put these to good use next week, the final cut of the Pilot is not far away!

EYES Vlog Update 22 - Feedback for the Actors

Part 1

 

Part 2

EYES Pilot - Rough Cut 9

This rough cut is almost identical to the previous, aside from a few very minor tweaks. 

This is the edit Danial, our very talented sound designer, will use as a reference while doing the sound design. 

EYES Feedback: Project Members

I encouraged all of the members of EYES to submit some form of feedback in regards to their experiences of working on the project, what they have gained from it and their views of my project management skills. I tend to be quite blunt and that is a skill I have nurtured even more so this year; as such, I encouraged everyone to be as honest and critical as they possibly could. 

Presented below is all the feedback I received from the members of the project (for viewer/target audience feedback, see Rough Cut 2 Feedback). I absolutely agree with all of their feedback points and I'm glad to see they have gained a lot from the project.


Mykel Elledge ('Boris')


Matt Coot (co-producer)

 

Daniel Tapper (Sound Designer)

• Your experiences of working on the project.

My experience of working on the project has been essentially good. Its nice to work on a project with someone who has a clear vision of what they want to achieve. Most of the time Peter was able to communicate clearly what he wanted but at points what he asked for seemed a little convoluted and occasionally contradictory to something he had previously said. However I felt that both of us were pretty much on the same page meaning we were able to work effectively together and come up with a clear plan of action.
 

• What you've gained from the project.

Previously my sound work has been for quite visually abstract works such as animations, adverts and a short horror audio visual film. Working on EYES was the first time I had worked on a more structured narrative project and proved a good bridge for me between abstract and more structured dramatized work as EYES has elements of both. 

• You're views on me and my project management skills, etc

I think Peter has done a good job managing the project. From my experience managing even a small team can prove difficult. The role I am performing is fairly straightforward and doesn’t require a lot of management but from working in the field with Peter I have seen that he is able to inspire others to commit themselves to hard work in pursuit of his vision. Peter is also very personable, helpful and unintimidating making which contribute to his leadership skills as people are not afraid to put their views across.

 

Claire Rowbotham ('Lianne') 

When approached to be a part of this project as an actress, I was thrilled as Pete seemed really keen to have me and this enthusiasm was what made me sure that I wanted to commit to the film. EYES for me was an extra-curricular project during my own very busy third year, and if it wasn’t for his passion and drive for the film I probably would have chosen to not do the film and concentrate on my own studies. So a note for Pete would be to keep this attitude up because it really is the difference between people wanting to be a part of a project in their own time and not.

Saying that, the script was also a huge reason I wanted to be a part of the film. The script intrigued me hugely and I wanted to find out more; both about the storyline and the characters. This is great as obviously if you have the audience hooked and wanting to know more then you are onto a winner. The script went through quite a few drafts throughout rehearsals, but this for me was a good thing rather than a bad thing; Pete was brilliant at watching us in rehearsals and then adapting the script so that both his actors felt happier and so that his script communicated more clearly what he wanted it to. It didn’t mess the process up for myself as an actor because changes made were always beneficial to my character and he didn’t have us learn lines for the shoot until he was sure that he was happy with the script. The only thing I would say he could change about the rehearsal process would be to have a slightly clearer structure for rehearsals. I believe this was Pete’s first time directing and I feel that he could achieve more for himself and actors, as a director, if he knew of more exercises that would could participate in to help make our performances stronger. Pete however, had a naturally lovely way of telling us what he liked us doing in rehearsals and this was encouraging.

As Pete was so full of ideas, which ultimately is a good thing as it led to bigger and better things, it could be a little bit confusing knowing what he wanted. But I believe this was a part of the development process rather than a hindrance. It was also very interesting to see how his ideas developed and blossomed. I must point out that in the end, once he realised what it was he needed portraying, he was very clear in what he needed for us. To make the process quicker in future I would just say maybe he should have the idea slightly more developed in his head before getting other people involved with it.

Throughout the whole experience, Pete kept everyone very well informed via the facebook group page and he was always very communicative. He was always easy to get hold of which was brilliant for when I needed questions and queries answered. Through the facebook page I also got a great insight into the huge amount of research he was doing; I could tell he was looking at lots of different elements of the film and because I saw him doing all of this, I felt more like a part of the production team rather than just an actress. I am not sure if this was his intention? But I feel like this was a good thing. Maybe on larger projects he would need to define the boundaries between production team and cast more, but I felt that for this intimate production it worked and I learnt a lot more than I would have done if I was just sent a call sheet and the lines I needed to learn.  The only downside to the facebook page is that as there were so many posts, sometimes I would lose track of the posts that I actually NEEDED to know about. So maybe a more direct approach to certain individuals about what was need to make things clearer if it only concerned them? 

Pre-production seemed to be organised well as when we turned up for the actual shoot, there were no problems with locations or anything and we could just get on and film. Everyone knew what they were doing and I didn’t feel as if he ever forgot to do anything important that slowed down the shoot. I would say next time however, that he get a slightly larger production crew so that he could concentrate on solely directing.  During actual filming,-on set directions were clear and he knew what he wanted which was great.

During the whole process, Pete was very accommodating to my own needs with regards to what suited me and my studies and this was a necessary trait which he needed to have for me to be a happy member of his team. So big well done for that. 

Pete’s general approach to everything was very passionate and he was clearly determined to create the best film he could which was contagious, but I would say he needed to be careful of his manner at times. Sometimes I was unsure if he was angry/stressed or just concentrated and determined. Overall I think he could have made it slightly more obvious if he was feeling positive about what was happening, but he never spoke to be rudely and so I enjoyed being around him. I was just unclear with how he felt at times, if he was joking or not, which made me unsure of how to react. Pete was great to work with though and it would be a pleasure to work on another film with him again some time soon.

From the entire project I have gained a lot for myself; I have had a lovely on set experience, I have learnt a huge deal about how different people work, I learnt a lot about the script development process and I have obtained fantastic random information from the research facebook page. Being a part of EYES was a great experience and Pete deserves to do well in the future.


Letitia Ringshaw (Production Assistant and 'Ella')

The following is all the feedback I got from Tish. 

Although, to be fair, she has been quite busy.



Myself

This is the feedback I supplied Matt with for Remember This, I have included it here as I make many comparisons between Matt and myself and our two projects. Ultimately, these videos can be seen as feedback and reflections on myself and EYES, as much as they are on Matt and Remember This (ignore the amount of 'ands' in this sentence).

EYES Facebook Group

For the project I knew that I needed a single location where I could keep it relatively organised and keep the other members in the loop as to what was happening. I have found in the past that when all the members are not kept in the loop it can lead to problems and, certainly, I think this is one of the main problems Matt's organisation of Remember This suffered from!

However, a Facebook group seemed like a safe bet, as I had been part of a Facebook group for my second year short film submission and I had found it to be a highly useful communication tool. Another great thing about Facebook is that everybody is always on it, which means that I would be able to reach people fairly quickly and get replies just as swiftly. 

The EYES Facebook Group.

EYES Facebook Group

As I knew whatever I ended up doing as part of the Creative Enterprise Project module would require a great deal of my time and energy, I created the group on the 10/10/2013 and the group been continuously active since then! 

Initially the only people in the group were Matt Coot (co-producer), Letitia Ringshaw (Production Assistant, 'Ella') and myself. It was only after Christmas that I added Mykell Elledge ('Boris'), Claire Rowbotham ('Lianne'), Daniel Tapper (Sound Designer) and Kate Pullinger (my project tutor). 

The group members.

Before Christmas the posts and discussions in the group largely consisted of ideas I had for my project and online resources I had come across. If you want to see how the EYES Web Series evolved from a very vague notion into the web series concept proposal it is now, then look in the Facebook Group (and on this blog). I would say that I have done more communicating and organising via this group than I have done in the real world!

The group has a search function - the magnifying glass next to notifcations and the settings button!

I believe my use of the EYES Facebook Group is also the reason why my multitasking skills have improved, as I would often be communicating via the Facebook Group while
simultaneously doing other tasks. The group has also enabled the whole project to be much more collaborative for all involved and if you want solid evidence of where I have been enterprising in my project then the Facebook Group is a solid bet!

I consider the EYES Facebook Group to hold just as much weight as this blog and, as such, the Facebook Group forms appendix materials. 

EYES Feedback: Claire Rowbotham ('Lianne')

FEEDBACK

Claire Rowbotham- Actress

When approached to be a part of this project as an actress, I was thrilled as Pete seemed really keen to have me and this enthusiasm was what made me sure that I wanted to commit to the film. EYES for me was an extra-curricular project during my own very busy third year, and if it wasn’t for his passion and drive for the film I probably would have chosen to not do the film and concentrate on my own studies. So a note for Pete would be to keep this attitude up because it really is the difference between people wanting to be a part of a project in their own time and not.

Saying that, the script was also a huge reason I wanted to be a part of the film. The script intrigued me hugely and I wanted to find out more; both about the storyline and the characters. This is great as obviously if you have the audience hooked and wanting to know more then you are onto a winner. The script went through quite a few drafts throughout rehearsals, but this for me was a good thing rather than a bad thing; Pete was brilliant at watching us in rehearsals and then adapting the script so that both his actors felt happier and so that his script communicated more clearly what he wanted it to. It didn’t mess the process up for myself as an actor because changes made were always beneficial to my character and he didn’t have us learn lines for the shoot until he was sure that he was happy with the script. The only thing I would say he could change about the rehearsal process would be to have a slightly clearer structure for rehearsals. I believe this was Pete’s first time directing and I feel that he could achieve more for himself and actors, as a director, if he knew of more exercises that would could participate in to help make our performances stronger. Pete however, had a naturally lovely way of telling us what he liked us doing in rehearsals and this was encouraging.

As Pete was so full of ideas, which ultimately is a good thing as it led to bigger and better things, it could be a little bit confusing knowing what he wanted. But I believe this was a part of the development process rather than a hindrance. It was also very interesting to see how his ideas developed and blossomed. I must point out that in the end, once he realised what it was he needed portraying, he was very clear in what he needed for us. To make the process quicker in future I would just say maybe he should have the idea slightly more developed in his head before getting other people involved with it.

Throughout the whole experience, Pete kept everyone very well informed via the facebook group page and he was always very communicative. He was always easy to get hold of which was brilliant for when I needed questions and queries answered. Through the facebook page I also got a great insight into the huge amount of research he was doing; I could tell he was looking at lots of different elements of the film and because I saw him doing all of this, I felt more like a part of the production team rather than just an actress. I am not sure if this was his intention? But I feel like this was a good thing. Maybe on larger projects he would need to define the boundaries between production team and cast more, but I felt that for this intimate production it worked and I learnt a lot more than I would have done if I was just sent a call sheet and the lines I needed to learn.  The only downside to the facebook page is that as there were so many posts, sometimes I would lose track of the posts that I actually NEEDED to know about. So maybe a more direct approach to certain individuals about what was need to make things clearer if it only concerned them? 

Pre-production seemed to be organised well as when we turned up for the actual shoot, there were no problems with locations or anything and we could just get on and film. Everyone knew what they were doing and I didn’t feel as if he ever forgot to do anything important that slowed down the shoot. I would say next time however, that he get a slightly larger production crew so that he could concentrate on solely directing.  During actual filming,-on set directions were clear and he knew what he wanted which was great.

During the whole process, Pete was very accommodating to my own needs with regards to what suited me and my studies and this was a necessary trait which he needed to have for me to be a happy member of his team. So big well done for that. 

Pete’s general approach to everything was very passionate and he was clearly determined to create the best film he could which was contagious, but I would say he needed to be careful of his manner at times. Sometimes I was unsure if he was angry/stressed or just concentrated and determined. Overall I think he could have made it slightly more obvious if he was feeling positive about what was happening, but he never spoke to be rudely and so I enjoyed being around him. I was just unclear with how he felt at times, if he was joking or not, which made me unsure of how to react. Pete was great to work with though and it would be a pleasure to work on another film with him again some time soon.

From the entire project I have gained a lot for myself; I have had a lovely on set experience, I have learnt a huge deal about how different people work, I learnt a lot about the script development process and I have obtained fantastic random information from the research facebook page. Being a part of EYES was a great experience and Pete deserves to do well in the future.

EYES Pilot: Sound Design (Rough Cut 1)

Due to various technical problems, Daniel was not able to produce a version of the second rough cut with any sound design. Therefore, what follows is the work Daniel has already done for the first rough cut. As the second rough cut is my indication of what the final cut will look like, this should be seen as a demonstration of the direction the sound will go in for the final cut. 

 

EYES Feedback: Daniel Tapper (Sound Designer)

Daniel submitted his feedback on the project today.

Daniel's Feedback post in the Facebook Group.

Pasted below is Daniel's complete feedback:



EYES Feedback – Dan Tapper – Sound designer
 

• Your experiences of working on the project.

My experience of working on the project has been essentially good. Its nice to work on a project with someone who has a clear vision of what they want to achieve. Most of the time Peter was able to communicate clearly what he wanted but at points what he asked for seemed a little convoluted and occasionally contradictory to something he had previously said. However I felt that both of us were pretty much on the same page meaning we were able to work effectively together and come up with a clear plan of action.
 

• What you've gained from the project.

Previously my sound work has been for quite visually abstract works such as animations, adverts and a short horror audio visual film. Working on EYES was the first time I had worked on a more structured narrative project and proved a good bridge for me between abstract and more structured dramatized work as EYES has elements of both.

• You're views on me and my project management skills, etc

I think Peter has done a good job managing the project. From my experience managing even a small team can prove difficult. The role I am performing is fairly straightforward and doesn’t require a lot of management but from working in the field with Peter I have seen that he is able to inspire others to commit themselves to hard work in pursuit of his vision. Peter is also very personable, helpful and unintimidating making which contribute to his leadership skills as people are not afraid to put their views across.

EYES Feedback: Matt Coot (co-producer)

I have asked all of the members of the project to provide a short reflection and feedback on their experiences of being a part of the project and this is Matt's.

EYES Feedback: Mykel Elledge ('Boris')